I wish to mention briefly four minor but not insignificant features that attract me and then focus on three main reasons for her enduring stature among readers, teachers, and critics. She did not wear rose-colored glasses, and her eye seized upon the depraved, the vulgar, and the grotesque. But there is no doubt that she captured the Southernness of her region. I think of the way her characters talk. I been believing in nothing ever since I was born! One can easily read all of her published work: her fiction thirty-one short stories and two novels ; a one-volume collection of occasional lectures and prose writings on her own fiction and on the art of fiction in general ; and two collections of her letters.
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Any individual who works with the fiction of Flannery O'Connor for any length of time cannot help but be impressed by the high degree of mastery she displays in her production of what must ultimately be considered a type of religious propaganda. In story after story, she brings her characters to a moment when it is no longer possible for them to continue in their accustomed manner. The proud are repeatedly humbled, the ignorant are repeatedly enlightened, the wise are repeatedly shown that "the wisdom of this world is foolishness with God," and the materialists are repeatedly forced to recognize that the treasures of this world are theirs to possess for a short time only. Most frequently, as we have seen in the stories, the characters gain their new awareness as a result of having undergone an epiphanal experience. In many of the stories, the epiphanal moment is accompanied by violence and destruction. In ten of the nineteen stories which appear in her two short-story collections, the death of one or more of the characters is used to produce the epiphany. This reinforces O'Connor's comment, "I'm a born Catholic and death has always been a brother to my imagination.
How Racist Was Flannery O’Connor?
Good Country People.? Connor artistically cultivates character development throughout her story as a means of creating multi-level themes that culminate in allegory. Although the themes are independent of each other, the characters are not; the development of one. A Good Man is Hard to Find is one of the most controversial short stories written in the s. During their trip, they get into a car accident and encounter a dangerous fugitive.
Please join StudyMode to read the full document. During her lifetime, Southerners were very prejudiced towards people of other races and lifestyles. They believed that people who were less fortunate were inferior to them; therefore, people were labeled as different things and placed into different social classes. The South provided O'Connor with the images she needed for her characters. Similarly, this can easily be identified in her short story " Revelation.