Henri Matisse Essay
Theory of Modern Art | Free Essay Example
In other words, it is increasingly difficult for him to express all his inner thoughts in a painting. From this point of view, we establish that it is quite difficult to represent everything an artist tries to depict in a painting because Matisse implies that complete paintings do not encompass what a painter had in mind; in spite of the fact that paintings should actually do so. This is an argument against naturalism in the sense that naturalism demands that authors should express a detailed realistic and factual expressions of their works. In other words, it is clear that the works of various painters fail to follow a given sequence of similarity, meaning that different pieces of art cannot be factual as naturalism demands. This is true because factual expressions follow a given sequence of similarity.
Theory of Modern Art
The overall red color of the floor and walls gives it the appearance of a very simple picture in which a few straight lines and a number of brightly colored paintings and other objects define the space of the room. No particular object is the main focus of the composition, but it directs attention toward the corner of the room to the left of center. The main effect of the composition, however, is that it establishes a strong tension between the elements that create the rough impression of perspective and the elements sometimes the same ones that contribute to flattening out the space and making it seem relatively shallow. The general effect of the picture, therefore, is of the calm of a room in which no people are present. But this is also a room where creative work is done and the works in progress indicate that activity is suspended and the studio is "waiting" for the return of the artist.
Filled with rhythm and colour, La danse , executed in , is an intriguing work that shows Matisse casting a glance to his past, to one of his masterpieces from , yet embarking on a new course through the use of cut-out paper. For it was only the previous year, in , that Matisse had created his first cut-out work, a design for the cover of an edition of Verve magazine, although he had been making use of pieces of paper to plan and organise other works: photographs from the early s show the artist using small pieces of coloured paper, which he would rearrange in endless experimentation in the search for the perfect combination of forms. This was especially the case while he was working on his famous Barnes Foundation commission, The Dance , during the early s. However, it was only in the wake of his Verve cover design that the paper cut-outs became a part of his art in their own right. La danse thus dates from a crucial period, when the very possibilities of collage were opening themselves to him.