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Northrop frye anatomy of criticism four essays

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Notes: Paperback. Pages are clean and unmarked. Covers show light edge wear with rubbing and shelving tanning. Crease on spine.
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Anatomy of Criticism Summary and Analysis of Chapter 3

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Anatomy of Criticism - Words | Help Me

In particular, Frye argues for thinking of criticism as a science. Such a science is interested in studying the underlying patterns and categories of literature, just like physicists look for the laws of gravity underlying our experience of the physical world. That means criticism should be inductive, making categories from reading literature itself. In the essays that follow, Frye offers four such categories. Each category facilitates a different kind of criticism. Frye argues there are principally five modes. The first, mythic, is when characters are superior to their world and to the reader, like gods.
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Anatomy of Criticism: Four Essays by Northrop Frye

Post a Comment. Fictional Modes: Introduction In the second paragraph of the Poetics Aristotle speaks of the differences in works of fiction which are caused by the different elevations of the characters in them. In some fictions, he says, the characters are better than we are, in others worse, in still others on the same level. This passage has not received much attention from modern critics, as the importance Aristotle assigns to goodness and badness seems to indicate a somewhat narrowly moralistic view of literature. Aristotle's words for good and bad, however, are spouddos and phaulos , which have a figurative sense of weighty and light.
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For instance, there is the archetype of the tree of life. In this essay, Frye turns to myths, which are bundles of archetypal symbols. His task is first to classify the different mythical categories of archetypal imagery, and then to derive some general patterns that deal with categories of literature.
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