The field of Indigenous architecture refers to the study and practice of architecture of, for and by Indigenous people. This has been extended to landscape architecture , urban design , planning , public art , placemaking and other ways of contributing to the design of built environments. The traditional or vernacular architecture of Aboriginal and Torres Strait Islander people in Australia varied to meet the lifestyle , social organisation, family size, cultural and climatic needs and resources available to each community. The types of forms varied from dome frameworks made of cane through spinifex -clad arc-shaped structures, to tripod and triangular shelters and elongated, egg-shaped, stone-based structures with a timber frame to pole and platform constructions.
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Thesis Problem: Architecture as Solution to Grounded Problems – best kept secret
This well-established, hands-on course focuses on the design of interior spaces within existing buildings, and on design that links human activities and events to specific places and spaces. Using drawing, model-making, film and mixed media, you will explore the re-imagining of space for new or different purposes while developing a critical understanding of the experience of space. There are multiple pathways through the course, enabling you to develop the passions you bring with you by learning new techniques while maintaining your unique creative identity. Our Future Practice module supports you in determining the design contribution you wish to make to society upon graduation. Each year there are optional field trips and live projects that expand your architectural and spatial design knowledge. Join an online event.
Thesis Problem: Architecture as Solution to Grounded Problems
Catholic devotees in the Philippines have been doing the Senakulo or Passion play for several decades now every Lenten season. Different persons sang different parts. During the 5th century, it evolved into a mature form. The depiction of the Passion of Christ became more dramatic with elaborate props and well-rehearsed action. That was also the time when it was written in rhyme.
When Demar Matthews sat down to work on his architectural thesis at Woodbury University early last year, he says the last thing on his mind was architecture. Instead, he was thinking about art and dance and language and the ways in which those cultural forms have expressed and recorded Black life in the United States. And capital-A architecture, with its pedagogy drawn largely from Western Europe, is not only mostly white, it has often actively erased the Black presence. In the U. He studied the forms in popular dance moves and in Ernie Barnes' painting "Sugar Shack," which features a roomful of Black people in the midst of joyous dance, as inspiration for reimagining the form of Classical columns.